The Renku Sessions: Pilgrims' Stride 4
Welcome to The Renku Sessions. Renku is a participatory literary game, following a set of rules that are implemented by the leader of the session. If you would like to learn more about renku go here. And if you would like to see a sample of a complete renku, go here.
I’m John Stevenson, and I will serve as your guide for this session, a thirty-six verse (kasen) renku. I have supplied the opening verse (hokku) and each week I will select an additional verse from among those submitted prior to the Tuesday deadline.
Thirty-three poets offered a total of seventy-three verses for the fourth position in our renku. The level of creativity is inspiring and, in addition to the verse I have selected this time, I would like to commend Scott Mason (astronomer), Kris Moon (bubble-wrap), Sandra Simpson (favourite 78), Paul MacNeil (loan officer), Christopher Patchel (progress bar), Dru Philippou (glossy photograph), and I could easily go on. Everyone’s contributions are truly appreciated.
Our fourth verse comes from Polona Oblak. It represents a different style of linking. While the authoritative word on what is intended rests with the poet, I see this as linking by the hint of interests shared most often by people later in life–gardening and antiques. There is the further linkage of work that requires attention to details while being somewhat repetitive. And the shift provides us with our first reference to a family relationship.
Here is the verse you must link to:
grandmother’s silverware
polished every monday–Polona Oblak
The next verse, the fifth, is an autumn moon verse. Here are the required elements:
- contains a reference to the moon (note that in renku practice any mention of the moon is presumed to refer to an autumn moon unless otherwise specified)
- Written in three lines, without a cut
- Linking with the fourth verse, and only the fourth verse
- Shifting to a new topic and setting
- Maintaining a tone appropriate to the prologue
Add your suggested three-line link below, in the Comments box. You have until midnight EST, Tuesday, April 1, 2014. You may submit as many verses as you like, but please use a new comment box for each one. I will announce my selection for the next link on Thursday, April 3 here on the blog, and provide information and instruction for submitting the next link.
What We’ll Be Looking For — Throughout the Session
There are many schematic outlines for a kasen renku. We will be using one set out by Professor Fukuda in his book Introduction to World-linking Renku. It will not be necessary for you to have a copy of this book since instructions will be offered before each verse is solicited.
It is a good idea for those participating in the composition of a renku to make use of the same list of season words. There are a number of these lists available and I intend no judgment of their relative value. For purposes of this session I am suggesting the use of The Five Hundred Essential Japanese Season Words.
Pilgrims’ Stride to Date
comparing maps
to the mountain shrines—
pilgrims’ stride–John Stevenson
a sun-warmed stone bridge
over snowmelt–Billie Wilson
dampened soil
of seed trays
in the glasshouse–Margaret Beverland
grandmother’s silverware
polished every monday–Polona Oblak
Comments (121)
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I didn’t realize, before starting, how hard these choices would be. But I am grateful, if humbled, to find that you have made them so. To be resumed on Thursday morning!
grandmother’s silverware
polished every Monday
— Polona Oblak
raindrops shimmer
in the early morning sunlight –
this spring day
(c) Chèvrefeuille
grandmother’s silverware
polished every Monday
— Polona Oblak
teenager dreams
the secrets shared
under a moonless sky
grandmother’s silverware
polished every Monday
— Polona Oblak
the moonless garden
where the old man planted
his last apple tree
grandmother’s silverware
polished every Monday
the space station
crossing the dateline
with the moon
a moonshadow
of my younger self
still following
a moonshadow
and a childhood song
follow me
grandmother’s silverware
polished every monday
her childhood
in Ireland even the moon
of chipped porcelain
A beautiful haiku, Alan. Dru
a boy changes
his telescope into
a moon ladder
–Alan Summers
swiping she clears her
face in the steamy mirror
along with the moon
grandmother’s silverware
polished every Monday
— Polona Oblak
keeping the frogs up
all night in the shining pond—
mid-summer moon
grandmother’s silverware
polished every monday
–Polona Oblak
a boy changes
his telescope into
a moon ladder
–Alan Summers
grandmother’s silverware
polished every monday
–Polona Oblak
hunter’s moon
a trail of blood
behind the werewolf
Jennifer Sutherland
grandmother’s silverware
polished every monday
–Polona Oblak
hunter’s moon
a werewolf leaves
his victim dying
Jennifer Sutherland
Oops – forgot it should have been three lines
rustling
of a field mouse beneath
an oxblood moon
a fieldmouse rustles
beneath an oxblood moon
last one
full moon shines
over the orchard
rusty red leaves
one more:
grandmother’s silverware
polished every Monday –Polona Oblak
a sonata
on the concert Steinway
played to the moon
– Lorin Ford
the full mom shines
over the orchard
rusty red leaves
over the orchard
the moon shines
rusty red leaves
the moon shines
over the orchard
rusty red leaves
a moonshadow
and a favorite oldie
follow me
grandmother’s silverware
polished every Monday –Polona Oblak
an old favourite
on the concert Steinway
in time for the moon
– Lorin Ford
grandmother’s silverware
polished every Monday –Polona Oblak
the same sonata
on the concert Steinway
the same old moon
– Lorin Ford
grandmother’s silverware
polished every Monday –Polona Oblak
in time for moonrise
a sonata
on the concert Steinway
– Lorin Ford
grandmother’s silverware
polished every Monday –Polona Oblak
a sonata
on the concert Steinway
in time for the moon
– Lorin Ford
the moon
floats free from the haze
of city light
grandmother’s silverware
polished every monday
– Polona Oblak
each phase
of the moon parses
a memory
– dafne
chipped full moon
hanging in the fork
of a dry tree
windblown corn silk
filling up the chips
of the moon
grandmother’s silverware
polished every monday
–Polona Oblak
the leaves have grown out
just in time for robins
to set up house
grandmother’s silverware
polished every Monday
–Polona Oblak
yews
in the cemetery shiver
points of moonlight
Sonam Chhoki
grandmother’s silverware
polished every Monday
–Polona Oblak
.
playing
moonlight sonata
at the clubhouse gig
another version
morning moon
the billboard girl’s smile
washed out
grandmother’s silverware
polished every monday
–Polona Oblak
morning moon
the billboard girl’s smile
fading
grandmother’s silverware
polished every Monday
Polona Oblak
a sonic boom
over the flight deck
shatters the moon
Ron C. Moss
and to go in a slightly different direction
in the moonlight
red leaves
rustle
rust in previous comments suggested it, thanks, Terri
then again, maybe
red leaves
wave silently
in the moonlight
Maybe this is better than my earlier
red leaves
wave without sound
in the moonlight
or
in the junk yard
old car fenders reflect
rusted moons
or
at the junk yard
old car fenders reflect
rusty full moons
grandmother’s silverware
polished every monday
–Polona Oblaka
at the junk yard
an old Chevy fender reflects
the rusted moon
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
at the rehearsal
the moon
right on cue
– Lorin Ford
in the woods
by the river
The owl’s moon eyes
grandmother’s silverware
polished every monday
–Polona Oblak
reflecting the sun
midnight moon perches high
above the pass
grandmother’s silverware
polished every monday
–Polona Oblak
the moon reveals
our midnight rendezvous
in the graveyard
grandmother’s silverware
polished every monday
–Polona Oblak
in the moonlight
old oak stained cabinets
glow
grandmother’s silverware
polished every Monday
by the light
of this big, orange moon
a jaunty fox …
– Sandra Simpson
grandmother’s silverware
polished every monday
–Polona Oblak
a sip of Masala chai
and the moon shifts shadows
for a mime show
–Alan Summers
grandmother’s silverware
polished every monday
–Polona Oblak
the moon
is breaking free
of the filigree
–Alan Summers
grandmother’s silverware
polished every monday
–Polona Oblak
the shoemaker
adding his own dust
to moon dreams
–Alan Summers
or maybe
grandmother’s silverware
polished every monday
–Polona Oblak
caught in the mirror
my reflection
and the moon’s
-Jennifer Sutherland
grandmother’s silverware
polished every monday
–Polona Oblak
caught in the mirror
my reflection
and the moon
-Jennifer Sutherland
red leaves
waving quietly
in the moonlight
grandmother’s silverware
polished every monday
-Polona Oblak
With the moon so near
I keep both hands
at my sides
-Patrick Sweeney
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
for a bush poet
the moonlight
and a magpie’s song
– Lorin Ford
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
on a bushman’s tent
the moonlight
and a magpie’s song
(for John Shaw Neilson)
– Lorin Ford
the tortoiseshell cat
runs low across
the moonlit path
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
on a poet’s tent
the moonlight
and a magpie’s song
– Lorin Ford
(for John Shaw Neilson … had to do it)
http://en.wikipedia.org/wiki/Shaw_Neilson
http://www.poetrylibrary.edu.au/poets/neilson-john-shaw/the-magpie-in-the-moonlight-0037070
the tortoiseshell
through the cat flap
into the moonlit night
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
even carousers
pause to remark
on the moon’s halo
Lorin Ford
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
high above
the cathedral spire
a haloed moon
Lorin Ford
grandmother’s silverware
polished every Monday
–Polona Oblak
.
the weatherman
expands
on the moon cycle
blue moon
and a carefree night
on the town
grandmother’s silverware
polished every monday
–Polona Oblak
autumn moon sees
all the lost things
from the tornado
clouds crossing the moon
she uncovers just enough
to nurse her infant
under a new moon
she uncovers just enough
to nurse her infant
grandmother’s silverware
polished every Monday –Polona Oblak
glint of moonlight
in the amber eye
of an alpha male – Marion Clarke
surface of reflection
moist southern skies
maidens of the moon
grandmother’s silverware
polished every monday
–Polona Oblak
.
roasted chestnuts
from the street vendor’s
moonlit stall
grandmother’s silverware
polished every monday
–Polona Oblak
trading tales
about all the colours
of the moon
Sorry, I see now too many apostrophes … and I’m forgetting to sign my ku, so apologies for that too!
grandmother’s silverware
polished every monday
–Polona Oblak
heeding the cry
of the carnie & rolling up
this big old moon
– Sandra Simpson
pinned above
the dentist’s chair
the moon landings
grandmother’s silverware
polished every monday
–Polona Oblak
tonight’s moon
heeding the carnie’s cry
& rolling up
grandmother’s silverware
polished every monday
–Polona Oblak
tonight’s moon
somehow making his promises
believable
grandmother’s silverware
polished every monday
–Polona Oblak
promising all
the usual things,
a moonlit carnival
over the moon
about their baby’s
first steps
(I’m guessing the use of idioms is cheating but I couldn’t resist)
grandmother’s silverware
polished every monday
-Polona Oblak
Panthalassa sky…
favoring one side
I capsized the moon
-Patrick Sweeney
dining on quince
by moonlight
with a runcible spoon – Scott Mason
the cow jumped over the moon
read aloud
by my computer – Chris Patchel
the man in the moon’s
uncanny resemblance
to Uncle Edward
the cow jumped over the moon
read aloud
by my computer
grandmother’s silverware
polished every monday
–Polona Oblak
by the light of the moon
he helps her untangle
her long white hair
grandmother’s silverware
polished every monday
–Polona Oblak
(slight change from the other entry)
through moonlight
the neighbor’s flute song
repeating itself
he clinks his wine glass
and lifts it
toward the moon
Christopher,
Formatting seems to be undependable. Perhaps you could add a note about formatting, e.g. “’way to post’ should be italicized.” I’m not sure that italics will work in the opening but never say never. And we will quite possibly want this later, if not now.
grandmother’s silverware
polished every monday
–Polona Oblak
through moonlight
the neighbor’s flute song
repeats itself
the moonlit clatter
of my midnight snack
all over the kitchen floor
Is there a way to post in italics?
Testing:
italic text
a challenging one to link to Polona – in a good way!! :-)
all those stories
shining in the attic
moonlight
grandmother’s silverware
polished every Monday
chaff rises
from the threshing floor
flits in moonbeams
grandmother’s silverware
polished every Monday
chaff rising
from the threshing floor
flits in moonbeams
We are off and running again! Just a few reminders / hints: (1) be careful about using words (other than articles, prepositions, etc.) that have already been used (“stone” for instance) (2) since a stream has been invoked in verse two, please hold off on other bodies of water for a while (3) any verse that contains a dash or ellipsis is likely to have a “cut” (the cut should be between verses, not within them). Thanks!
grandmother’s silverware
polished every Monday
beams of moonlight
cross the stone-lined
threshing floor
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
granddad’s secret
a moonshine still
in the woods
Jennifer Sutherland
grandmother’s silverware
polished every Monday
the moon
tosses its coins
along the shore
the camera captures
moonlight on a pewter sea
and an owl in flight
pierced reed –
the wind plays a flute
under the moon
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
four hands
at the concert Steinway
play for the moon
Lorin Ford
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
four hands
at the concert Steinway
interpret the moon
– Lorin Ford
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
rising above
its wrinkled reflection
tonight’s moon
Lorin Ford
Oop, i missed Autumn moon too
Whooops, cancel that:
“The next verse, the fifth, is an autumn moon verse. . . . “
dampened soil
of seed trays
in the glasshouse –Margaret Beverland
grandmother’s silverware
polished every Monday –Polona Oblak
rising above
its wrinkled reflection
the spring moon
Lorin Ford
he remembers
making hobo coffee
in the moonlight
silver bowls
gleam moon-glazed
in a night market
Dawn Bruce
in the pool
my son’s image
my image
grandmother’s silverware
polished every monday
–Polona Oblak
in a moonlit ring
the sumo recites a prayer
with a toss of sacred salt
Ron C. Moss
Yes, Paul, lots of ways to link to the preceding verse (maeku) and with so many potential contributors to this renku, it has to be competitive and it’s absolutely necessarily that there is one Sabaki and Sabaki rules. :-) It may be an advantage to have worked with a particular sabaki previously, as the link, as well as other considerations, is ultimately in the mind of the sabaki. We all rely on that.
You’ve got me wrong, though: I didn’t intend to indicate that your verse involved prior offers as ‘seeds’ or inspiration. It clearly didn’t. It was an original verse of your own that linked to the maeku. What I said was a ‘by the way’: it might have been or (better) I could interpret your verse as being *also* a comment / allusion to some candidate verses posted that seemed to have been inspired (used as seeds) by previously posted candidate verses . . . taking someone else’s idea and adding one’s own twist to it.
I hope I’ve been able to clear this up with you now.
Thanks, Lorin. But no, I’d never involve a submitted try to a Sabaki with some prior unaccepted stanzas. I write with John in person every year, perhaps several renku, and we use a Democratic method = no Sabaki. Each member of the group approves the verse proposed by the member whose turn it is (assigned). Lots of ways to write a renku. Lots of ways to link, too, as John is teaching all of us. See Fukuda-sensei, Higginson’s website, and Carley’s, too. As John just taught, the link is in a way in the eye of the writer. A Sabaki, or a Democratic group may see it that way or find additional other links. A verse is “accepted” when a group of a leader says so. Can always be more than one linkage — adds subtlety to the whole. – Paul
Well, this was a pleasant surprise, and much appreciated.
By the way, I have no objections to possibly capitalising Monday and/or Grandmother if it better suits the style of the kasen (but i suppose there’s plenty of time left to make that decision)
As for the link (hope this helps a little, Ruth), one of my thoughts was indeed along the lines of repetitive work (as John so aptly observed). Other possibilities would be the associacion of tray and silver, and generations: new (seedlings) vs. old (grandmother).
“. . . this refers to turning to a different meaning of the word “seed.” As opposed to starting plants to grow, consider “seed money.” I appreciate that you asked, “– Paul
Thanks for explaining this link, Paul. I sort of got it, but wasn’t sure that it wasn’t just me reading into it. :-) When I first read it, I wondered if it was an allusion to what was happening on the thread: verses offered in previous posts being used as ‘seed verses’ by others who posted later.
granmother’s silverware
polished every monday
–Polona Oblak
Shouldn’t that be ‘grandmother’s silverware’ ?
Dear Ruth,
Glad to answer re: linking of my former candidate verse to Margaret’s accepted daisan (#3).
the loan officer accepts
my business application
– Paul MacNeil
. . . this refers to turning to a different meaning of the word “seed.” As opposed to starting plants to grow, consider “seed money.” I appreciate that you asked, – Paul
Thank you, Sandra, for your reply. I do see now how your offer linked interestingly to #3’s verse. Unfortunately, for the others, not so much, even with John’s respectful explanations. And perhaps that’s what may be difficult for me, not wanting a tangent that needs to be defined.
Hi Ruth,
All I can say about my candidate verse is that glasshouses to me suggest something old-fashioned, most people in my country now use plastic houses as they’re easier to maintain and offer better insulation, etc – so the link in *my mind* is between something old (glasshouse) and something old (the 78 record).
Sabaki often see other things in candidate verses and that’s okay too.
Hi, Ruth. As I said about Polona Oblak’s verse, the final word on the intended linkage belongs to the poet. That said, I would suggest that many of the other verses I mentioned link “glass” to other forms or attributes of glass or to the concept of transparency. Kris Moon’s verse also links to the miniature sequential – seeds in seed trays and individual bubbles in bubble-wrap. One might picture some of the same fingers that poked holes for seeds involved later in popping bubble-wrap. I don’t know that any of the poets had these particular things in mind. And there are many other potential linkages. We don’t need to be exhaustive about links but it does help to be specific. Thanks for this question!
John,
If this renku is also a teachable moment, perhaps you could help some of us see the link to #3* for those you “commended” for #4.
the hiss and crackle
of our favourite 78
– Sandra Simpson
the loan officer accepts
my business application
– Paul MacNeil
spectacles placed atop
the astronomer’s head
– Scott Mason
a kid with bubble-wrap
pops each one in succession
– Kris Moon
a family stares
from a glossy photograph
– Dru Philippou
a progress bar
for the jpeg upload*
– Chris Patchel
(I got this one.)
* dampened soil
of seed trays
in the glasshouse
–Margaret Beverland
a gibbous moon
stretched out against the stillness
of Crater Lake
grandmother’s silverware
polished every monday
—Polona Oblak
through moonlight
the coyote’s falsetto
near the chicken coop
4.
grandmother’s silverware
polished every monday
–Polona Oblak
5.
my imagination
and blotchy craters
making a moon face
– Paul MacNeil
dining on quince
by moonlight
with a runcible spoon