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The Renku Sessions: Many Shapes – Week 9

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Welcome to this renku session. I am Linda Papanicolaou and I’ll be your guide.

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CHOICE OF VERSE 9

 

snow flakes fall
on the wing
of an angel

 

Stephanie Bauer

 

our breaths
become smoke
in the frigid night air

 

Belinda Behne

 

the groundhog’s
long shadow
in afternoon sun

 

John Daleiden

 

snow angels
swallow
our shadows

 

Tracy Davidson

 

using all the snow
in the front yard
to make a snowman

 

Debbie Feller

 

great grandpa
huge in his bear skins
counts grandchildren

 

Lorin Ford

 

frost-nipped turf
and a server farm
where the farmstead was

 

Pamela Garry

 

snow butterfly
on a clear winter day
beyond the rising

 

Madeleine Kavanaugh

 

I shake
Grandma’s snow globe
unpacking decorations

 

Valerie Green

 

knitting on the pom-pom
just before
the first snow

 

Laurie Greer

 

bonfire —
the fritters crackle
through the jokes

 

Lakshmi Iyer

 

charcoal
in the small brazier
glowing red

 

Robert Kingston

 

ankle deep in the snow
waiting for the latest
COVID vaccine

 

Michael Henry Lee

 

snow fog
swallows
our ski tent

 

Laurinda Lind

 

a thick layer of  snow
connects the house door
to the garden gate

 

Urszula Marciniak

 

the car’s taillights
through
the whiteout

 

Biswajit Mishra

 

the manhole cover
covered
with snow

 

Sean Murphy

 

ice turns
stone to dust
louse

 

Guliz Mutlu

 

snow falling softly
on the homeless
and displaced

 

Pauline O’Carolan

 

side track
waits up for love
coming

 

Zoltán Pachnik

 

winter fog
a bridge suspending
without cables

 

Anton R-Kelian

 

new snow,
the forest’s silence
complete

 

Christopher Seep

 

hand in hand
we whale watch
from the hot springs

 

Clysta Seney

 

snowflakes
covering a shared
gravestone

 

Richard Straw

 

It was a hard choice this time as there were a few submissions that would do very nicely to link to our love verses and close out the side. I’ve decided to go with Madeline’s snow butterflies. Till now we haven’t had many animals— other than an implied horse in the wakiku.  This verse gives us an insect, in an interesting way. In basic saijiki  “butterfly” by default signals spring, though in the entry in Haiku World: an international poetry almanac (Kodansha 1996 pp 79-80). Bill Higginson provided that some species are salient in the other seasons, including winter.

 

When she submitted, Madeleine included a comment explaining her choice of the snow butterfly as season reference. With their large, translucent white wings featuring red or orange eye-spots they are also called Apollos (genus Parnassius) and are cold-adapted to inhabit northern circumpolar or high-altitude mountainous regions. You can find a lot more, and about conservation efforts, with a browser search.

 

Madeline actually submitted two versions of the verse with a different third line.  The alternate had “soars through the trees.” Generally, I might have been expected to opt for the concrete image, but in this case it’s the more open variant that feels right to close the side. What does “the rising” mean? A rising mountain slope? The cold steam coming off snow pack as the sun warms it? The butterflies themselves engaged in hill topping mating behavior?  Or maybe even all of the above?

 

Here it is with the two previous verses:

 

a cool tattoo
on the back of the neck
of the boy in front

 

Marion Clarke

 

the totality
when he touches me

 

Pamela Garry

 

snow butterfly
on a clear winter day
beyond the rising

 

Madeleine Kavanaugh

 

For a verse to be a love verse, it must be about human carnal love, but see how switching to an animal topic extends the feeling to a gentle conclusion rather than abrupt and to the side. Madeleine also wrote that she appreciated how many cultures connect butterflies with the afterlife. In the context of “rising,” I think that a symbolism of mortality and resurrection is also at play. A lovely conclusion to the side!

 

CALL FOR VERSE 10

 

With this first we begin our fourth and final side: the kyu, or “fast close.” Verses and linking in this side will be simple and direct, without the musings or digressions you’ve seen from me in the two ha sides— nothing that will kick the reader out of the poem.

 

Disposition of versus and season will be as follows:

 

two lines, non-season

three lines spring (blossom)

two lines spring (the ageku)

 

In other words, the call is for a two-line nonseasonal first that links to the snow butterflies and shifts away from “totality.”

 

Please use the submission box below to submit no more than two verses for verse 10. Submissions will close on Monday, September 28 at midnight, US Eastern time. Selection of the verse and instructions for submitting to verse 11 will appear here on Thursday, October 1.

 

 

 

 

 

 

 

 

 

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