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The Renku Sessions: Many Shapes – Week 8

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Welcome to this renku session. I am Linda Papanicolaou and I’ll be your guide.

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CHOICE OF VERSE 8

 

Love verses are important special topics in renku. They occur in groups of two or three verses to develop the theme, which is human carnal desire and romance.  Longer renku like kasen will have a couple of love pairs, while shisan has one. Verse 7 was our first love verse, in line with a “first sight of potential lover” subtopic, so verse 8 needs a two-line verse whose possible sub-topics include flirting, longing, trysts, or the end of love, without letting the two tell a particular story.

 

Here’s a selection from this week’s offers, one from each participant.  I’ve also included the previous and leap-over verses so you can enjoy how each of the offers would sit in the poem:

 

 

swallows departing
fieldfares arriving

 

Andrew Shimield

 

a cool tattoo
on the back of the neck
of the boy in front

 

Marion Clarke

 

——

 

another martini with
two olives and a room key

 

Scott Anderson

 

pitching a sweet line
he shares his private lair

 

Stephanie Bauer

 

sharing a quilt
we count the shooting stars

 

Belinda Behne

 

fortune cookies shared
with a lover in bed

 

Nancy Brady

 

illicit lovers
plot their prison break

 

Tracy Davidson

 

nude bodies reveal
more fine art

 

M. R. Defibaugh

 

that old sweet tingle
up and down my spine

 

Lorin Ford

 

the totality
when he touches me

 

Pamela Garry

 

Taylor exposes her
pillow talk with Travis

 

Valerie Green

 

bite marks conspicuously
vampirish

 

Michael Henry Lee

 

his cat and her dog
learn to get along

 

Laurinda Lind

 

all their secrets under
the warm patterned duvet

 

Urszula Marciniak

 

his picture gathers dust
around the edges

 

Sean  Murphy

 

burying your face
in the jasmine

 

Guliz Mutlu

 

her shy smile at me
from behind the bridal veil

 

Pauline O’Carolan

 

rising moon so
our love so fierce

 

Nick O’Connor

 

our messages
above her husband’s name

 

Travis Park

 

he asks her to trim
his bonsai again

 

Andrew Pineo

 

tryst on a bridge
the street lamp comes on

 

Anton R-kelian

 

eye to eye we trace
our way down

 

Clysta Seney

 

drums and bagpipes
feeding a kinky mood

 

Richard Straw

 

 

The verse we’re going to place is Pamela’s “totality.”  It takes us from sight to touch, and from specifics of an item of body art to the totality of erotic passion and beyond. What I appreciate in Pamela’s choice of wording is that “totality” is a term we most often use for lunar or solar eclipses. In Greco-Roman mythology the sun, Helios/Apollo is a male god and Selene/ Luna—the moon—is female. In Japanese cosmology, the genders are reversed.  Amaratsu, the sun is female and Tsukiyomi, the moon, is male. Whichever, an eclipse is one divine body covering another, which enlarges its sense of human sexuality. Here then are versus seven and eight, and we move on with verse nine to finish the third side:

 

 

a cool tattoo
on the back of the neck
of the boy in front

 

Marion Clarke

 

the totality
when he touches me

 

Pamela Garry

 

 

 

 

CALL FOR VERSE 9:

 

This will be a three-line verse seasoned winter, and the last of our third side.  As always, link to the previous verse (totality) and shift away from the leap-over verse (cool tattoo).

 

 

Please use the submission box below to submit no more than two verses for verse 9. Submissions will close on Monday, September 21 at midnight, US Eastern time. Selection of the verse and instructions for submitting to verse 10 will appear here on Thursday, September 24.

 

 

 

 

 

 

 

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John Stevenson

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