THF Galleries: Haiga and Photo Haiku of Robert Erlandson
Robert’s work features a consideration of the commonalities of the species . . .
THF Galleries: Haiga of John Hawkhead
John Hawkhead has used haiga, photo-haiku and free art to present his haiku
THF Galleries: Haiga of Sandi Pray
More of Sandi’s work reveals a penchant for crossroads and angles . . .
THF Galleries: Haiga of an’ya and Ed Baker
an’ya honors the late Ed Baker with this collaborative memoir . . .
THF Galleries: Haiga of Debbie Strange 2
Debbie uses several media approaches in her haiga practice, not that common . . .
Haiga of Guy Beining 2
Guy’s work is like no one else’s, as his second gallery with us attests . . .
Haiga of Ellen Peckham
Ellen’s unique approach to haiga makes her work instantly recognizable . . .
THF Galleries: Haiga of Ellen Peckham
Ellen’s unique approach to haiga makes her art utterly distinctive
Image Haiku of Marlene Mountain
Marlene’s work has always been most strongly inflected by her art school background . . .
Photo Haiku of Franjo Ordanić and Sandra Šamec
Ordanić and Šamec feature wide-flung destinations in their photo haiku . . .
Photo Haiku of Franjo Ordanić and Sandra Šamec 2
More wide-ranging photo haiku from these Croatian collaborators . . .
Photo Haiku from Auschwitz e simili, by Toni Piccini
Haiga inspired by Toni’s book on the Holocaust, Auschwitz e simile . . .
Haiga of Corine Timmer
Corine’s playful use of animal poems and images is a feature of many of her best haiga . . .
Photo Haiku of Richard Goldberg
Richard transformed his mastery of photography into a personal photo haiku art . . .
Photo Haiku of Diane Mayr
Diane’s photo haiku show a special affinity for animal presence and jouissance . . .
Photo Haiku of Wolfgang and Anne-Dore Beutke
Wolfgang and Anne-Dore extend their partnership into their collaboration in photo haiku . . .
Haiga of Debbie Strange
The photo haiku and haiga of Debbie Strange have won numerous awards around the world . . .
Haiga of Jean LeBlanc
Jean’s photo haiku feature especially tactile surfaces and gnomic tracings . . .