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                  <text>The Haiku Foundation Library consists of several thousand hard copies and digital copies of books, theses, journals and articles dedicated to the study of haiku and its practitioners. Haiku journals are presented in a separate collection. &lt;br /&gt;The Library was founded at the same time as the Foundation (2009), and grows through donations, bequests, purchases, gleanings from online source and through the Touchstone Distinguished Books Award competition.</text>
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                <text>Der Duft des Tuschsteins (eine Haiga-Anthologie mit 73 Abbildungen des rumäni­schen Künstlers Ion Codrescu).&#13;
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Translated title - The Scent of the Ink Stone (a haiga-anthology with 73 paintings of the Romanian artist Ion Codrescu).</text>
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- Issue 45(135) - Metapher (Metaphor)&#13;
- Issue 44(134) Part II - Formsprache (Form Language)&#13;
- Issue 44(133) Part I - Formsprache (Form Language)&#13;
- Issue 43(132) - Der menschliche Bereich (The Human Domain)&#13;
- Issue 42(131) - Kulmination (Cumulation - Culmination)&#13;
- Issue 41(130) - Emotionalität (Emotionality)&#13;
- Issue 40(129) - Enjambement (Line Break, Run-on Line)&#13;
- Issue 39(128) - Poetisierung (Poetization)&#13;
- Issue 38(127) - Kompensation (Compensation)&#13;
- Issue 37(126) - Satzform (Sentence format)&#13;
- Issue 36(125) - Doppelbezug (Double reference)&#13;
- Issue 35(124) - Indirekte Aussageweise (Indirect statement)&#13;
- Issue 34(123) - Exclamatio (Exclamation)&#13;
- Issue 33(122) - Wortspiel (Play on words)&#13;
- Issue 32(121) - Perspektivenwechsel (Change of perspective)&#13;
- Issue 31(120) - Emphase (Emphasis)&#13;
- Issue 30(119) - Metonymie (Metonymy)&#13;
- Issue 29(117) - Symbol (Symbol)&#13;
- Issue 28(116) - Parallelismus (Parallelism)&#13;
- Issue 27(115) - Übertreibung (Exaggeration)&#13;
- Issue 26(114) - Scharniervers (Pivot Verse)&#13;
- Issue 25(112) - Ironie (Irony)&#13;
- Issue 24(110) - Zoomtechnik (Zoom Technology)      &#13;
- Issue 23(109) - Bildhaftigkeit (Imagery)  &#13;
- Issue 22(108) - Frage (Question)&#13;
- Issue 21(107) - Literarischer Bezug (Literary Reference)     &#13;
- Issue 20(106) - Beschreibung (Description)&#13;
- Issue 19(105) - Fortsetzung (Continuation) &#13;
- Issue 18(104) - Atmosphäre (Atmosphere)&#13;
- Issue 17(103) - Vergleich (Comparison)&#13;
- Issue 16(101) - Abstrakta (Abstracts)&#13;
- Issue 15(100) - Der kulturhistorisch - landeskundliche Hintergrund  (The Cultural, Historical, and Regional Background) &#13;
- Issue 14(99) - Paradox&#13;
- Issue 13(98) - Das diskrete Ich (Discreet)&#13;
- Issue 12(97) – Zeitbehandlung (Treatment of Time)&#13;
- Issue 11(96) – Feststellung (Statement)&#13;
- Issue 10(95) – Klangmalerei (Sound Painting) &#13;
- Issue 9(94) - Korrespondenz (Correspondence)&#13;
- Issue 8(93) - Personifizierung (Personification)&#13;
- Issue 7(92) – Humor&#13;
- Issue 6(90) - Ursache und Wirkung (Cause and Effect)&#13;
- Issue 5(89) - Alliteration und Assonanz (Alliteration and Assonance)&#13;
- Issue 4(88) – Wiederholung (Repetition)&#13;
- Issue 3(87) – Synästhesie (Synesthesia)&#13;
- Issue 2(85) – Kontrastierung (Contrasting)&#13;
- Issue 1(83) - Das Überraschungsmoment (The Element of Surprise)</text>
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