Librarian’s Cache: Poet of the Month – Alan Summers
Alan Summers lives in the United Kingdom and is President of the United Haiku and Tanka Society, a Pushcart Prize nominated poet and editor of the recently launched Blo͞o Outlier Journal. In 2012, Alan gave a TEDx Talk, Amazement of the ordinary- life through a haiku lens and he is featured in the NHK TV of Japan documentary Alan’s Haiku Journey. In a 2019 interview in Haiku Commentary, he shares his “discovery” of haiku.
“I was in the Queensland State Library, which has a huge collection of Asian literature, and I must have slipped a copy or two of something amongst all the ‘Western’ forms of poetry. When I opened the next book from a huge pile (I was a fast reader) it was short poems, and they started to click with me, and I saw they were called haiku. Within half a minute, I realised I would stay with haiku for years to come. I stopped trying to accomplish and conquer poetry, and just enjoyed it for its own sake.”
Additional examples of Alan’s poetry and writing can be found on Call of the Page and Area 17.
The Haiku Foundation Digital Library contains Alan’s 2020 book, Forbidden Syllables, and samples from the book include:
a cough two aisles across yet six feet less two meters down
a pot of coffee the sparrows zing by writing
a click and clank the kitchen awake and demanding
Two articles on The Haiku Foundation website that feature Alan’s poetry and observations include:
- Alan Summers: Touchstone Award Winner – April 2017
- re:Virals 271: Alan Summers gives us seven points to consider – November 2020
Thanks for reading,
Dan Campbell
This Post Has 30 Comments
Comments are closed.
Great that “THE COMFORT OF CROWS”
A collaborative book of haiku by Pakistani poet Hifsa Ashraf and British poet Alan Summers
is now finally available at the THF Digital Library too!
https://thehaikufoundation.org/omeka/items/show/6247
Thank you!
Alan
Alan,
Loved your TEDx talk.
Congratulations on Forbidden Syllables too.
I loved reading your bio given above. Impressive.
Wishing you many more years of good health and happiness.
Thanks Kala!
Glad you loved the TEDx talk, I was in very esteemed company. 🙂
I’ve enjoyed bringing out both “Forbidden Syllables” and various sequences about covid such as:
Eleven is an Even Number: Covid Chronicles
https://weirdlaburnum.wordpress.com/2020/04/13/eleven-is-an-even-number-covid-chronicles/
Which also appears in:
Corona Social Distancing: Poets for Humanity
ed. hülya n. yılmaz, Ph.D.
inner child press international 1st Edition: May 2020
and
Poetry in the Plague Year
Poems written during the Coronavirus Outbreak 2020
(Poetry Kit publishing)
Both Karen and myself are now waiting for our second inoculation.
warmest regards,
Alan
Thanks!
I was really pleased to have three eBooks out!
Glint by Alan Summers
https://proletaria730964817.files.wordpress.com/2020/03/glint.pdf
Forbidden Syllables by Alan Summers
https://bonesjournal.com/books/Alan_Summers-Forbidden-Syllables-bones-ed.pdf
And The Comfort of Crows with Hifsa Ashraf!
https://www.velvetduskpublishing.com/uploads/3/7/5/9/37595991/the_comfort_of_crows_ebook.pdf
I have two full eBook collections in development right now, and a print book. Opposable thumbs crossed all three will be out end of the year!
warm regards,
Alan
Congratulations, Alan. I like to dip into those two haiku recordings now and again—the TEDx one as recently as last week, in fact.
I have possibly said it before, but the following monostich from ‘Forbidden Syllables’ is a new favourite!
the female thrush keeping company on the clothes line of despair
I would also like to thank you for all your guidance and encouragement over the last decade. It is very much appreciated.
Thanks for sharing this, Dan.
marion
Thank Marion,
For your kind words and for your new favourite! There was indeed a thrush, as I was filling the clothes line, who kept me company, and upbeat at that moment so early on in the covid pandemic.
Thank you for liking the TEDx presentation, and isn’t it true we can spare at least six seconds in a day for deep gratitude, and to write a little poem?
And again, many thanks to Dan for making this feature possible.
warm regards,
Alan
Oh yes, Alan—definitely worth six seconds…at least!
marion
I think the audience were stunned that they could actually spare, really spare, six seconds, at least, of their time.
TED Talk : Transcript from the TEDx video: Amazement of the Ordinary: Life through a haiku lens by Alan Summers
“A day consists of 86 thousand and 400 seconds: A haiku is six seconds.”
https://area17.blogspot.com/2013/06/transcript-from-tedx-video-amazement-of.html
Congratulation Alan!
Thank you!
It’s great that Dan compiled so many links together.
Sometimes, some of us, we just don’t realise we’ve done a few things otherwise! 🙂
warm regards
Alan
I thoroughly enjoyed the Tedx Talk and the Japan documentary. The editor of the documentary really captured something in a few short minutes. Alan has been a positive influence since the beginning of my haiku journey. This seems like a good place to say thank you.
Wow, thank you!
Yes, the woman who lived and breathed (and even slept) in the small editing room (can’t call it a suite, as that was upstairs) completely caught the spirit. I think NHK TV flew her in as it had been an all-male film crew up until then!
A real dynamo of a person!
warm regards,
Alan
Sorry for the mistake…’finally could see’😅
Thanks Keiko!
I hope you enjoying the filming, the final edit was by a Japanese woman who actually slept in the editing room until the NHK TV feature was done!
warm regards,
Alan
Maybe she was tired due to jet lag or overwork?
I enjoyed the film very much and leaned something!
Dear Keiko,
Not tired or jet lagged! 🙂 She was an amazing dynamo. A little over five feet tall, she was the boss in some ways when she joined one of the shooting days, and when she did the editing! 🙂
She was at the recording studios owned by the company who were hired by NHK TV. So I saw the small room (downstairs) and the sofa. It was so she could go through FIVE DAYS of footage and narrow it down to 20 minutes, and quickly but expertly. I wasn’t allowed to see any of the editing as she wanted it as a surprise for me. Just pure dedication and professionalism.
Full of energy!
warm regards,
Alan
Congratulations, Alan!
Also, I’m happy I could finally saw the movie which I’d been looking for.
Thanks, you make me feel like a movie star! 🙂
warm regards,
Alan
You did look like an actor in a BBC drama(I’m a big fan of them), especially in the platform scene😎
Congratulations, Master Alan!
Thank you!
Haven’t been called Master Alan since I was perhaps 12 years old! 🙂
warm regards,
Alan
Congratulations, Alan,
The haiku mentioned above as one of the best 100 poems of 2020 is well-deserved. Not to mention your new journal. ( I cannot make the macron on this iPad.)
Thanks Jo,
Naughty iPad. 🙂
Yes, delighted that Blo͞o Outlier Journal has at least one Touchstone Individual Poems Short Listed haiku poet for 2020, although so many in the publication are deserving!
https://thehaikufoundation.org/the-haiku-foundation-announces-its-touchstone-individual-poems-short-list-for-2020/
warm regards,
Alan
Congratulations, Alan.
Regarding your journal, exciting times ahead 🙂
Thanks Carol!
It’s going to be very interesting!!!
warm regards,
Alan
Thanks Dan, delightful surprise!
It was wonderful to be picked for the THF re:Virals feature which showcases, with commentary, some of the finest haiku ever written in English. That was a wonderful honor!
thunder
I slide a kigo
into the gun
Alan Summers
https://thehaikufoundation.org/revirals-283/
The poem has been selected as one of the best 100 haiku from 2020 as well, wow!
Anthology credit:
Haiku 21 (Lee Gurga & Scott Metz, editors (Modern Haiku Press)
The first publication was by tinywords 20.2 (November 2020)
https://tinywords.com/2020/11/16/32752/
And the poem featured in the 2021 Southern California Haiku Study Group Zoom Presentation.
Many thanks for everyone who supported this possibly ‘unusual’ haiku.
warm regards,
Alan
I’d like to say that I am the founding editor of Blo͞o Outlier Journal which launched on Christmas Eve/Christmas Morning:
https://bloooutlierjournal.blogspot.com/2020/12/the-bloo-outlier-journal-winter-issue.html
The successive issues will focus on specific genres.
The second issue is prose+poetry genres haibun, tanka story, kyoka story, and zuihitsu, with guest co-editors Grix and Kat Lehmann!
The Autumn (third) issue will focus on ‘natural history haiku’ where I will be sole editor again!
2022 will focus on a tanka only issue, possibly including kyoka, with Karen Hoy; and a senryu only issue where Tia Haynes will be a guest co-editor.
Thanks again Dan, for adding the macron symbol over Blo͞o re “Blo͞o Outlier Journal”, much appreciated!
It’s sometimes forgotten, but you didn’t forget!
warm regards,
Alan
Hi Alan, I am glad you enjoyed the feature, thanks for all of your contributions to the haiku universe!
Dan
Thanks Dan, that’s deeply appreciated!
I also have two other eBooks
Glint by Alan Summers
published by:
Proletaria politics philosophy phenomena (February 2020)
https://proletaria730964817.files.wordpress.com/2020/03/glint.pdf
And a collaborative collection:
The Comfort of Crows
Alan Summers and Hifsa Ashraf
(Velvet Dusk Publishing, December 2019)
https://www.velvetduskpublishing.com/uploads/3/7/5/9/37595991/the_comfort_of_crows_ebook.pdf
I hope you and others enjoy!
warm regards,
Alan