About Juxtapositions
Founded in 2015, Juxtapositions (JUXTA) is a peer-reviewed outlet for scholarship and research in topical areas of world haiku, related forms, and their context within the broader world of literary studies. We welcome international submissions from both the academic and haiku communities. Please consult our Submission Guidelines before submitting.
If you are thinking of writing for Juxtapositions, we urge you to consider new or creative approaches to its scholarship. As haiku has gained a global audience of practitioners beyond Japan, its relation looking outward to world literatures, cultural studies, racial identities, linguistic characteristics, social issues and its historical context on a volatile planet has grown in proportion each decade. These sorts of scholarly explorations are of particular interest to the editors.
The preponderance of haiku research in English has fixated on its Japanese roots. Juxtapositions hopes to broaden that dialogue to embrace haiku’s authoritative position within the engaged world of interdisciplinary research and comparative studies. For all potential authors, but in particular new faculty on tenure-track, for post-docs, and graduate students, Juxtapositions seeks to establish itself as the preeminent scholarly publication on haiku and related topics. We therefore welcome your inquiries. For scholars new to the form, to established haiku poets, on to those longstanding haikuists now editors and officers of haiku magazines and organizations, we hope Juxtapositions becomes the preferred destination for your deliberative prose on the form. Juxtapositions will be published under the imprint of The Haiku Foundation.
Editors include David Grayson (unaffiliated scholar), Josh Hockensmith (University of North Carolina-Chapel Hill), Adam L. Kern (University of Wisconsin-Madison), Thomas Morgan (University of Dayton), Senior Editor Ce Rosenow (Lane Community College), and Crystal Simone Smith (St. Augustine’s University), along with Managing Editor Jim Kacian and Technical Manager Dave Russo, both of The Haiku Foundation.
Editors emeriti include Stephen Addiss, Randy M. Brooks, Bill Cooper, Aubrey Cox, and Peter McDonald.
JUXTA is indexed in the MLA Bibliography, and is platform-independent. Please email Senior Editor Ce Rosenow with any inquiries.
ADDITIONAL INFORMATION
- Please submit your articles in Microsoft Word format as an attachment to Senior Editor Ce Rosenow.
- Articles in English only.
- Abstracts or outlines accepted for all inquiries.
- Provide a cover page with author’s name, address, contact information and title of article/abstract.
- Article should have pagination in footer, and the title in header. No author’s name.
- Length: 2500 to 10,000 words.
- Citation format: MLA
JUXTA is an open access journal. All content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access.
This journal does not charge APCs or submission charges.
The Haiku Foundation is committed to making JUXTA accessible to as many people as possible. If you have an accessibility issue with JUXTA or with any page on our site, please notify us by using our main Contact Form.
JUXTA is an open access journal. All content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access.
Royalties support the ongoing mission of The Haiku Foundation. All views expressed in Juxtapositions are those of the authors and do not necessarily represent or reflect the views of the journal, its editorial board or The Haiku Foundation.