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Haiku Music Challenge 46

Welcome to the forty-sixth iteration of the Haiku Music Challenge, hosted by Naviar Records.

Since I was in the US for work last week, I decided to share a haiku about travelling. I hope you’ll find this poem by Kobayashi Issa inspiring: with over twenty thousand poems written in his lifetime, it’s hard to find a topic he didn’t write about. As always, if you want to find out more about this prolific author I suggest you check out this database of his haiku.

in the beach breeze
my travels forgotten . . .
evening cool

Twenty tracks were made in response to Issa’s poem and here are three which I selected this week:

Track: The Beach Breeze
Artist: GLSmyth
Genre: classical

Shifting between positive and more thoughtful moods, GLSmyth’s classical piece was written for bass brum, cymbals, temple blocks, crotales, tubular bells, xylophone, marimba, vibraphone, harp and celesta.

Track: Forgotten
Artist: Ahornberg
Genre: electronic

With its 10-minute music submission, Austrian artist Ahornberg was able to explore various atmospheres while creating a seamlessly coherent track.

Track: Evening Cool
Artist: Kyosuke Osaku
Genre: ambient

Kyosuke’s multilayered soundscape is a sonic journey that requires to be listened to many times in order to fully appreciate its depth.

Thank you for listening. Next week we’ll be listening to music inspired by a haiku by Mats Unden:

Memories of spring

Always present

Inside

The deadline to submit your track is 19 February. To find out more and participate, please visit the Naviar Records site.

This Post Has One Comment

  1. G.L Smith gradually gives an impression of delight towards, maybe, coolness but in Ahornberg and Kyosuke Osaku loud sound of breeze tends towards coolness; Osaku is louder with telling breeze even at the end. It was nice time with them.

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