Haiku for Healing – Haiga as a Healing Practice
Week 3 photo prompt
The week 3 photo prompt features the work of the well-known haiga poet, and editor, Lavana Kray. A photo prompt is posted each Monday until 16th March 2026. This is the second part of the Haiga as a Healing Practice feature of H4H, which looks to explore the healing potentials of haiga, a poetic form related to haiku, in dealing with illness, bereavement, estrangement, displacement, isolation and loneliness.
The experience and perspective of a poet is unique and we want to showcase this singular voice. Thus, the individual photo prompt has no title or accompanying text.
Take a cue from Lavana’s inspirational interview and consider how does the image distil the “residues” of your experience? Does it bring to mind the yearning in William Blake’s “winged life”* with its lightness of joy and release or does it evoke what Thomas Hardy described as the “the sorriness underlying the grandest things”?** Look inside and outside yourself Lavana urges and find that “something” that will best convey what you want to say.
In the Comments box below, please post no more than two original, unpublished haiku or senryu inspired by the photo on the theme of healing. In the spirit of empathy and connection we request that you comment on the other poems posted here.
Notes
* “Eternity”, William Blake (1757-1827)
** Notebook entry for 19 April 1885, Thomas Hardy (1840–1928)
Sonam Chhoki
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Bios
Lavana Kray is from Romania. Over the years, she has won various prizes in haiku and tanka competitions. The World Haiku Association awarded her the title of Master Haiga Artist. Her work has appeared in many print and online publications, as well as in Haiga Exhibitions organized by the World Haiku Association in Japan and Italy. The Laval Literary Society from Canada awarded her the André-Jacob-Entrevous Prize 2023, for a literary text (haiku) combined with an artistic visual. She currently serves as haiga editor for the online journal of Japanese short forms, cattails. She has published five photo-haiku books, one tankart collection and a photo-haibun book.
She is owner-editor of https://ourbesthaiga.blogspot.com/
https://thehaikufoundation.org/thf-galleries-photo-haiku-of-lavana-kray/
Sonam Chhoki finds the Japanese short-form poetry resonates with her Tibetan Buddhist upbringing. She is inspired by her father, Sonam Gyamtsho, the architect of Bhutan’s non-monastic modern education and by her mother, Chhoden Jangmu, who taught her: “Being a girl doesn’t mean you can’t do anything.” She is the principal editor, and co-editor of haibun for the online journal of Japanese short forms, cattails.
Her chapbook of haibun, The Lure of the Threshold was published in May 2021. Mapping Absences, a collaboration of haibun, tan bun and tanka prose with Mike Montreuil was published in 2019. Another collaboration with Geethanjali Rajan: Unexpected Gift was published in November 2021. She organised a year-long email course in 2024 for The Haiku Foundation’s Haiku for Parkinson’s project.
Read past Haiku for Healing posts here.
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Comments (75)
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deep down below
hands unable to grasp
prayers for the sun
tired
of so much flying –
hermit’s prayer
An intriguing dream of rest, or perhaps a dream of the right to rest?
Dear Mircea,
The “hermit’s prayer” for solace is a great contrast to the “so much flying”. What a wonderful response to Lavana’s photo!
Sonam
our stretch, a hunger
for the strength of one soft touch . . .
a whisper of hope.
At your fingertips. So close, yet so far, but there is hope.
Hi Jennifer,
Thank you for responding to this photo prompt on the theme of healing.
“the strength” of “one soft touch” is a lovely thought and image: tender, perhaps even tentative but hope-giving.
Sonam
Hands held outstretched
Grasping nothingness
Awaiting hope and healing
Healing is within reach. Love permeates nothingness.
Hi Andrea,
“hands” held out even in the midst of despair evokes a deep yearning for healing. It’s wonderful that Lavana’s photo inspired such an uplifting moment.
Sonam
Your haiku fits quite well with the atmosphere and the place where I took this picture.
Lavana
hands raised –
a bystander
to God’s word
A deep, tangible connection with the Word of God. Amazing.
Thankyou 🙏
A very good touch with the picture.
Thank you, Katherine.
Lavana
Thankyou Lavana 🙏
Hi Katherine,
Thank you for this response to Lavana’s photo.
“hands raised” in supplication or in a moment of defeat/surrender? Your poem gives one much to mull over.
Sonam
In supplication….thankyou 🙏
Thankyou 🙏
on my fingertips…
a butterfly is waving
at me
So much tenderness and unity of beings. There is hope for a better tomorrow.
another dream
that misses
life’s basketball hoop
her gardening gloves
my non-green fingers
finish what she started
Beautiful sadness, but with hope for a new path.
Hi Tracy,
“life’s basketball hoop”: what a leap of association and so memorable!
Sonam
life’s basketball hoop?
This is very interesting…
I do love it.
autumn charm
the resounding clap
of our palms
***
our trek
through the wilderness
fickle clouds…
No obstacle will stop someone who, like you, courageously pursues their goal.
Hi Raji,
How lovely that you’re trying your hand at the haiga form. Lavana’s photo seems to have inspired two vivid moments in the poems you’ve shared.
In the first poem, “autumn” signifies tansition. It’s also associated with bountifulness with fruits and crops ripening and ready for collection. I read the “resounding clap” as a kind of a celebration of this.
The second poem is more wistful, conveying a sense of transience. The “clouds” ever changing and moving and the “trek” in the “wilderness” suggesting a moment of solititude. Wordsworth’s “I wandered lonely as a cloud” comes to mind.
Sonam
our trek
through the wilderness
fickle clouds…
Much truth in few words.
Congratulations.
Lavana
ghosts
in the basement
of my mind
my friend asks
do you think
I am mad
Very fascinating. Domesticated and befriended madness produces wonderful, creative results.
Daer Margaret, I am very impressed by how the image resonated with your imagination and sensitivity.
Lavana
Hi Margaret,
Your response to Lavana’s photo is wonderfully startling and fresh. I’m so glad that you found time to drop by and share these two poems.
Sonam
I admire everyone sharing such intimate thoughts, collectively gaining strength through interaction with each other. I found reactions to the images interesting, varying from negative ones of loneliness and despair to hope and healing. The ‘friend’ in my haiku reached out to me because she is unpacking feelings of grief after the death of her husband, which triggered memories of me being in a similar situation. I hope that through receiving such sensitive, compassionate guidance in this project you will feel supported, gaining in strength and finding a way forward.
easter light –
her palms open
to the fairy glass
The light comes to us. It is good when we are ready to receive it.
“fairy glass” is a lovely unexpected image.
Thank you for this great response to Lavana’s photo.
Sonam
Thank you
Beautiful, gentle poem, thank you.
slipping into
the ether
peace at last
determined to catch
last rays of
sunset…
It’s worth being so beautifully determined. You open the door to the possibility of anything.
Thank you Lavana.
I meant to write “thank you Urszula” :)
Andy, than you for your positive healing poem.
We are all dandelions seeking light.
There is always always hope.
now that the air has cleared
I let go of the earth,
reaching for the sun
nu de lucht geklaard is
laat ik d’aarde los,
reikend naar de zon
You connect the earth to the sun with your own hands. Can anything defeat you?
Thank you so for your appreciation Urszula Marciniak!
Vleugels van satijn
nu de lucht geklaard is,
laat ik d’aarde los
én… misschien ben ‘k morgen,
al voorbij de zon
mag ik jou nog even dragen,
voor ik gewichtloos word
of wil je nog wat praten,
over die mooiste nacht,
toen jij mij vleugels gaf
nu de lucht geklaard is,
laat ik alles los
jij tooide mij met vleugels,
hoog en wijd gespreid
zodat ik m’n hele leven,
héél vrij mijzelf kon zijn
die nacht, vermomd als vlinder,
zijn vleugels waren wij,
vleugels van satijn..
Wings of satin
now that the air has cleared,
I let go of the earth
and… maybe tomorrow I will be
already beyond the sun
Can I carry you for a while,
before I become weightless
or do you want to talk some more,
about that most beautiful night,
when you gave me wings
now that the air has cleared,
I let go of everything
you adorned me with wings,
high and wide spread
so that all my life,
could be myself very freely
that night, disguised as a butterfly,
we were his wings,
wings of satin..
https://www.youtube.com/watch?v=RXR7BZqwj0k
Thank you for sharing. I wish you a bright future.
Hi again,
Your poem creates a great sense of release/relief that comes once we let go of the “earth” ( signifying perhaps a physical burden/ pain) and turn to the light of possibilities and hope.
Sonam
Hartelijk dank voor uw antwoord Sonam.
Ja, het aardse verlaten om het licht te vinden.
Tijdens de covidperiode in 2020 heb ik er een troostlied over geschreven.
U kan het beluisteren op YouTube, met als titel: “Vleugels van satijn!”
https://www.youtube.com/watch?v=RXR7BZqwj0k
tossing a dove…
the healing power
of peace
*
baby steps…
at last strong enough
to walk on her own
*
Hi Laurie,
Two quite different yet lovely responses to Lavana’s photo.
I like how you’ve caught the physicality of the act of “tossing” a dove. It creates a nice contrast to the gentleness one associates with “peace”.
The second poem plays on a sense of freedom for the baby perhaps breaking away from parental control and support to discover being one’s own person.
Sonam
broken asphalt –
determined dandelion
just needs a crack
Dandelions are like humans, or vice versa, but there are many similarities. Even with the dandelion fluff that spreads everywhere at the slightest breeze.
I love your haiku, Alan.
Lavana
winter day
his life hangs on
one finger
so cold
the story of the hands
beneath the gloves
Hi Urszula,
Thank you for taking the time to read and comment on the many poems posted here. Your thoughtful and generous reading and comments have certainly enlivened this haiga for healing feature.
“winter day” and “so cold” both evoke a deep wistfulness. In the first poem, oen gets a sense of the frailness even powerlessness. But the use of “hangs” injects a note of connection with another person/life force/energy. And therefore, of hope.
In the second poem, there’s again a reckoning of something poignant and even tragic. Does the “so cold” signify fatality? The detail, “story of the hands” suggest something left unsaid or perhaps unfulfilled.
Sonam
Hi Sonam,
Thank you for your comment, which offers so much life wisdom and sensitivity.
Death is one possibility, but my point was that in winter, when our hands are covered in gloves, we know much less about the person we meet. Hands say so much.
Urszula
Billie,
I enjoyed the details in each of these. The “auction” poems hint at the ideosyncrasies of distinct individuals. The algebra class brought back memories of school and finding my place. Fine work.
Sorry… I posted this in the wrong place. I’ve added it below under Billie’s poems.
the ah ha
moment
first snow
looking
for an answer
school days
In both of these, I enjoyed the connection to school days since the big snow here has canceled classes for the kids and also work for many local offices. i esp. like the second poem with the tie to raised hands in a classroom scene.
thank you Theresa , for enjoying these
remission,
I receive a
bouquet of time
stripping his bed
she presses get well cards
to her cheek
Excellent work. Both are quite poignant. In the second, I see someone coming upon the bed of a loved one who’s recently passed. The emotion is conveyed well.
Thank you, Theresa!
A bouquet of time…so poetic. We can only imagine how many strands this bouquet has. Thank you for these touching lines.
Lavana
“A bouquet of time” evokes so much. This thought will stay with me.
More and more new flowers in the bouquet of time, so different.
tulip mania
auctioning off
the rarest bulb
algebra class
daydreaming
in the back row
estate auction
a cardboard box
of opera gloves
I really like the sense of mystery in the last poem. Why opera gloves?
Check the photo Christopher.
;)
What I meant was were the deceased’s family surprised to find them, maybe reflecting an unknown facet of that person’s life
Billie,
I enjoyed the details in each of these. The “auction” poems hint at the ideosyncrasies of distinct individuals. The algebra class brought back memories of school and finding my place. Fine work.