HAIKU DIALOGUE – Finding peace and contemplation… in worn, imperfect and transient things… cast iron kettle
Finding peace and contemplation… in worn, imperfect and transient things with Guest Editor Marietta McGregor
At times in our lives, fast-moving events of our day-to-day existence may become overwhelming. Between work and family responsibilities, daily needs and doomscrolling, days rush by in a breakneck blur and we sometimes end the week with a sense of ‘where did that go?’ We’re surrounded by the wonders of our shared universe. Maybe it’s time to become immersed in the enjoyment of one aspect of this spectacular world which amazes, delights and refreshes us. We can marvel at the night sky or clouds by day, cheer a ladybug as it climbs a twig and opens its wings, dangle our feet in a cool river, rest in a tree’s benevolent shade, stroke velvety green moss, smell ozone freshness at the coast, crunch through frosty grass, listen to morning birdsong, taste a last autumn apple. Small pauses in quotidian life may be devoted to living slower, using every sense, and sharing our pleasure through poetry. Simple gifts.
Each week for the next few weeks there will be a photographic prompt on the theme of ‘Finding peace and contemplation. . .’ with images capturing moments when we might seek inspiration if the going gets tough. I look forward to reading your personal response to the moments you’ve discovered.
next week’s theme: in worn, imperfect and transient things… rusty hitching iron
The deadline is midnight Eastern Daylight Time, Saturday September 18, 2021.
Please use the Haiku Dialogue submission form below to enter one or two original unpublished haiku inspired by the week’s theme, and then press Submit to send your entry. (The Submit button will not be available until the Name, Email, and Place of Residence fields are filled in.) With your poem, please include any special formatting requirements & your name as you would like it to appear in the column. A few haiku will be selected for commentary each week. Please note that by submitting, you agree that your work may appear in the column – neither acknowledgment nor acceptance emails will be sent. All communication about the poems that are posted in the column will be added as blog comments.
below is Marietta’s commentary for in worn, imperfect and transient things… cast iron kettle:
My thanks for your generous responses to the cast iron kettle. So often, a three-dimensional object sparks a vivid memory. The old vessel has drawn out family stories from all over the world, of parents and grandparents and the keepsakes they leave for the next generations. Treasured mementoes are brought out for celebrations or are used for their original purpose, with many recollections attached. This week’s poems could be characterised as senryu, which often lack a kigo and address the human condition. You can read more about the senryu form in The Haiku Foundation’s Digital Library: https://thehaikufoundation.org/omeka/items/show/1219
Thanks again to THF for supporting Haiku Dialogue, and especially to Kathy and Lori for their hard work. And please take the opportunity to respond with your thoughts about the posted poems.
ghostly fingers
play ragtime
gran’s pianolaLouise Hopewell
Australia
When I was young, many Australian families owned a pianola, or player piano. This was a self-playing instrument operated mechanically by foot pedals, using music recorded as perforated notes on paper rolls. The pianola took pride of place in the living room, a focal point for all the family where everyone gathered for concerts of favourites like ‛You are my Sunshine’, ‛Tennessee Waltz’ and ‛Tiger Rag’. This haiku, or senryu, captures the fun children had as they happily pumped away at the foot pedals and made the piano keys move as if by unseen hands. Line 1 also conveys a sense of melancholy and of time passing. Large, dark and solid pieces of furniture, few pianolas survive in modern homes. And those who once played them are, themselves, long gone.
Red Hat Society
a wolf whistle
from the teapotValentina Ranaldi-Adams
Fairlawn, Ohio USA
Wolf whistles may be politically incorrect these days so it’s amusing to think a kettle has the temerity to come out with an admiring tootle. This poem begins with the name of a global support organization originally created to bring together women of similar ages in a spirit of fun, friendship and support. Red Hat Society members don their namesake headgear, often with purple clothes. Here we imagine the poet is describing someone preparing for an outing or get-together, perhaps having breakfast before a pleasant day out with her cohorts. The kettle appears to approve of the red hat! Modern English language senryu tend to deal with the foibles of daily life, illuminating our day-to-day existence. I wonder how many poems have been written about the Red Hat Society?
between stations Pop’s workshop radio
P. H. Fischer
Vancouver, Canada
A member of my own family once bought an old house where the former engineer owner had fitted out the garage as an elaborate workshop. After his death the workshop was left untouched. Everything there reflected the idiosyncrasies of a person who was no longer with us. In the five short words of this poem, the poet depicts a father or grandfather, a handyman who spent time working on projects in a back shed with a radio playing for company. We don’t know if it’s a bakelite wireless or a battered transistor radio, but it’s probably not something more modern. There’s the sense that the radio’s owner left his workshop, and no one has been back, maybe out of sadness. The radio sits forgotten until one day someone idly switches it on, only to hear static.
cast iron kettles
in the museum gift shop
coffee at StarbucksBaisali Chatterjee Dutt
Kolkata, India
How often does this story play out in museum shops? This wry poem contrasts old with new, pointing up the irony of places that sell ‛old’ artefacts which are often cheap reproductions. When the visitor leaves the gift shop there’s a coffee chain waiting, where you would not find something as old-fashioned as a kettle. The poem uses a 5/7/5 form. Haiku were once taught as a poetic form of 17 syllables, in a short/long/short structure, but this is rarely used now. Most commonly, haiku are between 10-14 syllables, which correspond to the 17 ‛sounds’ in Japanese haiku. This poem avoids padding with adjectives and adverbs that can overload a poem when trying to maintain a 17-syllable count.
& here are the rest of the selections:
ancient clay jar
collecting rainwater
before me, after meChristopher Seep
United States
moving from home
the look she gave me
with the towelsDeborah Karl-Brandt
Bonn, Germany
brass kettle
pouring my heart out
to my reflectionJackie Chou
Pico Rivera, CA USA
a spider runs out
of the old kettle’s spout
attic inspectionAnitha Varma
Kerala, India
grandma’s pie dish
so much love
and a hairline crackAlan Peat
United Kingdom
an old iron
through dad’s pants—
memories evaporateAljoša Vuković
Croatia, Šibenik
a snail shell
in the old watering can
droughtFrançoise Maurice
Draguignan, France
old kettle
flowers instead
of whistlesJeff Leong
Malaysia
through the spout
a money plant shoots out
backyard junkyardLakshmi Iyer
Kerala, India
old juicer
breakfast memory
a heart squeezeLyntha Nelson
Colorado, USA
grandma’s house—
in the rusty kettle
wildflowersMaria Teresa Sisti
Italy
sil batta
the guests praise my chutney
for the first time(sil batta was an ancient grinding stone that was used to make wet pastes like masala and chutney.)
Kavya Janani. U
India
grandma’s attic
I’m looking for my favorite
music boxTsanka Shishkova
Bulgaria
the old scoop
still dishing out
fond memoriesHelen Ogden
Pacific Grove
mom’s cup—
on the sideboard still
the cold of winterDennys Cambarau
Sardinia, Italy
annual cleanup
at grandfather’s attic
all still usefulWiesław Karliński
Namysłów, Poland
a kotatsu
at the center of family—
distant old home(kotatsu: a foot warmer with a quilt over it)
Teiichi Suzuki
Japan
cast iron griddle
hundreds and thousands
on the pikeletsSue Courtney
Orewa, New Zealand
whistling tea kettle
the sound of
past and presentLafcadio Orlovsky
USA
tea break . . .
spilling out
secretsAparna Pathak
India
strong rain
smell of earthen kettle
from ginger teaSudebi Singha
Kolkata, India
old kettle—
memories of summer gone
still warmNikola Đuretić
Zagreb, Croatia
now full
of tea roses
the pierced kettleOrense Nicod
Paris, France
smoldering charcoal
Mom is ironing
childhood memoriesNani Mariani
Australia
charcoal samovar—
a savor of tea
in exileNicole Pottier
France
tea pouring . . .
slowly our grudges
evaporateRicha Sharma
India
old rocking chair
my daughter’s turn
to sing lullabiesSherry Grant
Auckland, New Zealand
a clatter of copper pots
my childhood autumns
making jamTracy Davidson
Warwickshire, UK
joining
the family banter
grandfather’s clockRavi Kiran
India
grandma’s steel
colander—
what she never sharedRichard Matta
San Diego, California
grandma’s tea kettle
the dreams
still the sameStephen A. Peters
Bellingham, Wa. USA
autumn dawn—
holding the mug with both hands
the jasmine pearls unfurlSam Blair
North Oregon Coast
winter breakfast
our pot belly warms
our belliesPris Campbell
Lake Worth, FL U.S.
kerosene lamp—
the labors of my father
in its dim lightMaria Teresa Piras
Serrenti – Italy
cast iron skillet
with each passing year
better and betterMark Meyer
Mercer Island WA USA
hand-me-down laptop
good job I know
where the E S and Ns areIngrid Baluchi
North Macedonia
I knead flour
in mom-in-law’s paraat—
large as her heart(paraat: heavy-bottomed brass platter traditionally used in Indian kitchens for kneading flour for chapatis.)
Neena Singh
Chandigarh, India
apple cobbler baked
in the scouts’ old Dutch oven
no second servingBa Duong
Florida, USA
teapot shards
glued together
dad’s shaky handCaroline Giles Banks
Minneapolis, Minnesota, USA
the old rolling pin
in the dusty attic . . .
granny’s Sunday bunsNatalia Kuznetsova
Russia
peach tree in bloom—
an old coffee pot
on the cupboardpesco in fiore—
una vecchia caffettiera
sulla credenzaAngiola Inglese
Italia
the bent prongs
of my fork
this hard landMaurice Nevile
Canberra, Australia
dawn moon—
tea kettle
songKathleen Vasek-Trocmet
Texas, USA
cast iron kettle
the weight of a memorymartin gottlieb cohen
Egg Harbor, NJ U.S.
new teapot
boiling away
the pastRehn Kovacic
Mesa, AZ
still in bud
pale pink tulips
from blue rain bootsAnna Yin
Ontario, Canada
printing copies
of the copy
of a hundred year old photoPeggy Hale Bilbro
Huntsville, Alabama
garage sale
I rescue the old kettle
full of storiesMargaret Mahony
Australia
brass pitcher
the dance of river waves
fifty years agoਪਿੱਤਲ਼ ਦੀ ਗਾਗਰ
ਪੰਜਾਹ ਸਾਲ ਪਹਿਲਾਂ ਵੀ
ਲਹਿਰਾਂ ਦਾ ਨਾਚArvinder Kaur
Chandigarh, India
kintsugi
blue morning glories bloom
from the repaired dishJohn Zheng
Mississippi
losing a whistle
for a rattle
me and my old kettleKeith Evetts
Thames Ditton UK
embers in the field
between peppers and onions
bacon on skewerMinko Tanev
Bulgaria
still lingering
the scent of grandma
on the rusty kettlePadmini Krishnan
Singapore
cast iron kettle—
my only souvenir
from childhoodAna Drobot
Romania
fresh coffee beans
in the copper grinder
the smell of yesteryearMona Iordan
Romania
sentimental purchase
one Bunyip hand mower
rests in peaceCarol Reynolds
Australia
mom is ‛gone’
from her cezve still
black coffee smellsmama je ‛otišla’
iz njezine džezve još
crna kava mirišiMira Jungić
Sisak, Hrvatska
still trimming
the trees he left behind
papa’s bonsai shearsBryan Rickert
Belleville, Illinois USA
grandpa’s spade
how many changes of handles
none of us remembersXiaoou Chen
Kunming, China
the kettle
awakens me
from the pastJim Niffen
South Dakota USA
crystal vase
how we’re still arranging
for the futureLaurie Greer
Washington, DC
Christmas time . . .
grandma’s nut cracker
again on the tableMeera Rehm
UK
loaded with logs
beside the fireplace—
nana’s washtubCynthia Anderson
Yucca Valley, CA
mother’s crafts scissors
cutting off the fringes
of bad memoriesVandana Parashar
India
boiling kettle
at a roadside dhaba—
fragrance of morning fogSanjuktaa Asopa
Belgaum, India
my reflection
from all those years
mama’s potsKanjini Devi
The Far North, Aotearoa NZ
chamber pot
I avoid the midnight
outhouse batsJL Huffman
Blue Ridge Mountains of NC, USA
flour shaker—
still wishing for a taste of
great grandma’s cakesDorothy Burrows
United Kingdom
lost in the attic
a rusty old kettle
and memoriesZahra Mughis
Lahore, Pakistan
early dusk
a dim fluorescent
in the anglepoisesimonj
UK
dented kettle
traces of the day
she went her wayBona M. Santos
Los Angeles, CA
Mom’s recipe box
all the cards
by heartAnn K. Schwader
Westminster, CO
used record store
the crackle of a needle
in a grooveTim Cremin
Massachusetts
nostalgia
old coffee grinder
in the new kitchenZdenka Mlinar
Hrvatska
college canteen
the tea kettle is always
on the boilMinal Sarosh
Ahmedabad, India
grinding spices
in stone mortar pestle
she asks grandma’s namePadma Rajeswari
Mumbai, India
my sabi poems
on the burma teak table . . .
the patina of ageMilan Rajkumar
Imphal, India
winter’s end—
the remnants of butter
in mom’s butter churnHifsa Ashraf
Rawalpindi, Pakistan
room window
in the kettle
a red roseSlobodan Pupovac
Zagreb, Croatia
grandma’s cake pan
apple and cinnamon pie
every autumnElisa Allo
Zug, Switzerland
new safety norms—
I take a rest
with grandma’s recipeLuisa Santoro
Rome, Italy
antique shop
the old brass cookware
now a shiny artefactMadhuri Pillai
Australia
in his workshop—
grandpa’s tools
right where he left themChristopher Peys
Los Angeles, CA
grandma’s jar
sourdough starter
all these yearsRonald Degler
United States
memories—
the sensei’s old brush
in my handsJulia Guzmán
Córdoba Argentina
anniversary—
we use mother’s
scratched cutleryHelga Stania
Switzerland
faded recipes
the touch of a hand
on my shoulderHelene Guojah
UK
the sigh
of an empty kettle . . .
social anxietyAgus Maulana Sunjaya
Tangerang, Banten, Indonesia
grandpa’s coffee mug
the fine cracks
gently brownedBarrie Levine
Wenham MA USA
broken crayons
son’s first birthday
card for mePriti Khullar
India
against my lip
the crack in the tea cup
familiarEmily Fogle
California
mom’s sifter
hangs on my pegboard—
kitchen dusted in flourSusan Lee Roberts
Sacramento, CA, USA
wildflowers . . .
in grandma’s teapot
it’s springfiori di campo . . .
nella teiera di nonna
è primaveraGiuliana Ravaglia
Bologna Italia
butter churn . . .
singing the rhythm
of the dasherMargaret Walker
Lincoln, NE, USA
tracing the pattern
on the oilcloth
her blue veinsSari Grandstaff
Saugerties, NY
her pincushion
always within reach
my mother-in-lawLorraine A Padden
San Diego, CA USA
double treat . . .
mom’s recipe of halwa
in earthenware bowlsSushama Kapur
Pune, India
kettle whistles
grandma’s call for tea with
her homemade biscuitsKathleen Mazurowski
Chicago, IL
familiar smell
of reheated coffee
dad in the houseSusan Farner
United States
petals in the wind . . .
scrubbing the smoke off
the cast-iron kettleFlorin C. Ciobica
Romania
mango bonsai
thrives by the south window
ma’s cracked pasta bowlMelanie Vance
USA
campfire
beef stew simmering
in a cast iron potCarol Judkins
Carlsbad, CA USA
cornbread bakes
in mom’s cast iron skillet
ham and beansNancy Brady
Huron, Ohio, USA
tarnished brass bell
ringing for help
his fall chillClaire Vogel Camargo
United States
Grandma’s iron teakettle
given to my stepdaughter
not much time leftGenie Nakano
Gardena, CA
Grandma’s smart idea
each everyday tool tagged
with who should get itKath Abela Wilson
United States
ancient weed diggers
used less and less
by ancient weed diggersCharles Harmon
Los Angeles, California, USA
broken spatula . . .
those years of flipping
dosasPriti Aisola
Hyderabad, India
yard sale silhouettes
hanging in our living room
not our ancestorsGreer Woodward
Waimea, HI
reminding us
never forget the tough times
your cracked mirrorSusan Rogers
United States
Guest editor Marietta McGregor is a fourth-generation Tasmanian who has made her home between Australia’s national capital Canberra and the scenic south coast of New South Wales for over four decades. A lover of the natural world since childhood, she went on to study botany and zoology, and has worked as palynologist, garden designer, science journalist, editor, university tutor, education manager, and grants developer for the national wildlife collection. A photography and travel enthusiast since retiring, she enjoys capturing fine detail of fleeting moments. She came late to haiku, which appealed for its close observation and poetic expression of ephemeral experience. Her haiku, haibun and haiga have been widely published, have won awards and appear in anthologies.
Lori Zajkowski is the Post Manager for Haiku Dialogue. A novice haiku poet, she lives in New York City.
Managing Editor Katherine Munro lives in Whitehorse, Yukon Territory, and publishes under the name kjmunro. She is Membership Secretary for Haiku Canada, and her debut poetry collection is contractions (Red Moon Press, 2019). Find her at: kjmunro1560.wordpress.com.
The Haiku Foundation reminds you that participation in our offerings assumes respectful and appropriate behavior from all parties. Please see our Code of Conduct policy.
Please note that all poems & images appearing in Haiku Dialogue may not be used elsewhere without express permission – copyright is retained by the creators. Please see our Copyright Policies.
This Post Has 17 Comments
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Enjoyed reading all the poems, lovely memories..
thanks so much for including mine.
Regards,
padma
Many thanks, Marietta, for including my poem in the column this week. Thank you also to Kj and Lori for all your work keeping this wonderful resource going. Congratulations to all the poets! Another comprehensive and thought-provoking collection. One that stood out for me this week was…
joining
the family banter
grandfather’s clock
Ravi Kiran
India
I loved the way this poem evoked the sound of a family gathering accompanied by the comforting noise of a large clock ticking. The choice of the word ‘banter’ suggests that it is a happy occasion. However, for me, there is also a poignancy in the fact that the clock is ‘joining’ the gathering. This might suggest that the clock has been inherited and that the grandfather is no longer there to hear it. Alternatively, the grandfather might have just bought the clock! I like this ambiguity because it makes the reader think.
Many thanks Marietta, kj and Lori.
Thanks for including my senryu in today’s collection. And thank you all for your efforts to organize this page every week. Here are the ones that really spoke to me this week. I seem to have focused in on family recipes.
Mom’s recipe box
all the cards
by heart
Ann K. Schwader
Westminster, CO
I have one of those boxes with many oil-spotted cards and saved pieces of paper with treasured recipes. Nowadays I keep my recipes in laptop files. It seems something is being lost.
……
faded recipes
the touch of a hand
on my shoulder
Helene Guojah
UK
Every family recipe carries years of memory.
……….
tracing the pattern
on the oilcloth
her blue veins
What a beautiful poem! The oil cloth and the blue veined hands. Just so evocative!
…..
Sari Grandstaff
Saugerties, NY
her pincushion
always within reach
my mother-in-law
Lorraine A Padden
San Diego, CA USA
My grandmother and my mother, and now I have that familiar tomato pin cushion. Such memories.
Thank you Peggy!
What a pleasure to read so many fine Haiku and Senryu, really makes you think about the relationships with family and vintage items. Thank you Marietta for including one of mine with them. Congrats to all the poets.
Very happy to have my haiku included this week. Thank you Marietta and congratulations to all the poets here. It’s very inspirational to have these prompts and see where they take me.
new teapot
boiling away
the past
.
Rehn Kovacic
Mesa, AZ
/
Sometimes in order to let go of a painful past, old objects must be replaced with new ones. This haiku expresses this concept nicely in only 6 words.
Valentina-
Thank you so much for commenting on and understanding my poem.
You are welcome, Rehn.
Such memories! I loved them all, so happy to be included. Thank you Marietta.
Hah! This I found amusing, though I feel for the weed digger in question.
ancient weed diggers
used less and less
by ancient weed diggers
Charles Harmon
Los Angeles, California, USA
I expect quite a few of us inherit garden implements, too. In my case, dibbers and a lawn hole-maker — my father’s craze for mini-golf putting. Alas, neither tool has a place now in a courtyard garden.
Thank you Marietta, and others working back stage, for your work, and for including mine. Always an enjoyable experience, both to write for and to read through each week.
Another fine selection Marietta.
This one stood out for me this week.
grandma’s pie dish
so much love
and a hairline crack
Alan Peat
United Kingdom
As for my own, I thought a steam train would have fitted in well.
Perhaps a back story may have assisted.
Lots of memories contained within haiku/senryu, and I find it easy to relate to many of them with my own memories of parents and grandparents. Well done to all, congrats! Loved Valentina’s Red Hat Society, which you commented upon. Thanks for including one of mine along with the others, Marietta.
Nancy, I am glad you liked mine. Congrats to having your haiku included.
still trimming
the trees he left behind
papa’s bonsai shears
Bryan Rickert
Belleville, Illinois USA
I love this one, being a tropical human it strikes me , we have bonsai which are older than us.
Marietta, what a pleasant surprise to have been chosen for commentary this week. Thank-you for all your efforts on this column. Thank-you also to Kathy and Lori for their efforts. Congrats to fellow Ohio poet Nancy Brady and to all the other poets.