Please:
(1) I'm interested in how choice of literary structure actually affects the experience of a Haiku.
(2) In other words: how does one structure make the experience different than another structure (?)
(3) Here is an example.
(4) In prose, I could say:
went . . . store . . . bought . . . food
(5) Or I could say:
I went to the store and bought food.
(6) In a Haiku I could say:
faded paper plate
pinned to roadside tree
"picnic" with arrow
(7) Or I could say:
on faded paper plate
pinned to the roadside tree
"picnic" with an arrow
(8.) What is the specific experiential ("phenomenological') difference (?)
Thanks, Malcolm.
(1) I'm interested in how choice of literary structure actually affects the experience of a Haiku.
(2) In other words: how does one structure make the experience different than another structure (?)
(3) Here is an example.
(4) In prose, I could say:
went . . . store . . . bought . . . food
(5) Or I could say:
I went to the store and bought food.
(6) In a Haiku I could say:
faded paper plate
pinned to roadside tree
"picnic" with arrow
(7) Or I could say:
on faded paper plate
pinned to the roadside tree
"picnic" with an arrow
(8.) What is the specific experiential ("phenomenological') difference (?)
Thanks, Malcolm.