Features

In a world that thinks it needs textu, discover Carrow de Vries’ invention from the 1960s: the humorous tanka.

These early poems by one of English-language haiku’s most beloved figures show the potential of the voice she was to later master . . .

Geraldine Clinton Little taught and published creative writing, fiction and poetry. This chapbook is perhaps typical: full of sharp observation, mordant wit, and heartfelt homage . . .

Ross le Haye, like many others, showed up one spring or summer or autumn/winter issue, lingered a few years, left a few notes, and then moved on . . .

This volumees is subtitled “poems for my father,” full of personal reminiscence, coming to terms with the roles the author has played: daughter, friend, enemy, caregiver.

Proof that Marshall’s irreverence (much of it self-referential) dates back decades can be had from his first writings, such as this early chapbook . . .

In the 1990s Elizabeth Hazen totally lost her sight . . .

Tombo was founder and president of Western World Haiku Society, and a prolific author. Many of her books were theme-based, as this one . . .

Lee Gurga edited Modern Haiku but he is best known as a poet. This earliest of his chapbooks, though modest, is in some ways still his most satisfying collection . . .