Book of the Week: Dance of Light
Elizabeth St Jacques was a familiar figure to those poets who first cultivated their interest in haiku on the internet. This volume, her longest and strongest collection, dates from 1995 (maplebud press, artwork by Ruby Spriggs).
You can read the entire book in the THF Digital Library.
The Haiku Foundation does not have a hard copy of this volume, and would welcome a donation if you are able.
Do you have a chapbook published 2009 or earlier you would like featured as a Book of the Week? Contact us for details.
All haiku in the Book of the Week Archive are selected by Tom Clausen, and are used with permission.
break of dawn . . . sparrow at the small puddle sipping pale pink lightwedge of sound rests my broom geese heading northcastanets into the night rain drops on a pailagain and again the white butterfly . . . thoughts of an unwell friendlittle finch in my hand the slow slow weight of its april deathcrowding in around the waterfall wildflowersdance of light in the frog-filled pond . . . blue heronwoodshaving curl in winter light grandfather's violinhigh wooden fence around the old convent the knot-holecarefully washing around my mouth. . . . first kissfull moon . . . after the school wrestling match everyone in pairsin deep new snow beneath the apple tree a perfect holethrough the late night camp a gentle lullaby horse hooves heading homestarbursts the cold earth floor— the knife-grinder's wheelthe circle of the winging hawk tightens to a dotthis autumn night the small moth's touch— shiver of the moon
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Alan Summers made some good choices, and I’ll add one more that fascinated me.
woodshaving curl
in winter light
grandfather’s violin
I miss Elizabeth and her wonderful poetry…she is also an exceptional sijo poet.
She influenced me greatly in the beginnings of my haiku and sijo writing…
Some wonderful work here, and a reminder that so many names like Elizabeth St Jacque, and Liz Fenn (see back cover blurb) are sorely missed.
break of dawn . . .
sparrow at the small puddle
sipping pale pink light
little finch
in my hand the slow slow weight
of its april death
This author broke the rules of what we now consider contemporary haiku, but gosh, breaking or bending them with such finesse. These haiku are meant to be out aloud, in private to yourself, or to an audience, but mainly to enjoy in greater depth, the sheer lyricism that can preside in a para-narratives.
There are other styles including a minimalist approach, which adds to the reader’s delight of variety over formulaic practice.
Amazing work, and the book itself, far from being disparate haiku pulled between book covers, creates an overall poem that’ll make you walk on air.
warm regards,
Alan